10 Tarantino Trademarks In Inglourious Basterds
After playing in the sandboxes of gangster movies, kung fu movies and car movies, Quentin Tarantino tried his hand at the war genre with his critically acclaimed World War II epic. Inglourious Basterds. In many ways, Inglourious Basterds was a departure for Tarantino. For starters, since all of his previous films had told contemporary stories, this was his first film with a period setting (and all of his films since have been period films).
Despite the tonal and stylistic departure from his previous work, Tarantino has always filled Inglourious Basterds with many of its familiar trademarks, like dark humor, graphic violence, heavy monologues, and even pop culture references, despite the historical setting.
ten brutal violence
The most obvious hallmark of Tarantino’s cinema is graphic violence, which he includes in his films – according to the famous clip – “because it’s so much fun, Jan!” Inglourious Basterds is one of the most violent films of Tarantino’s career.
The Basterds cut off the scalp of any German officers they kill. And as if that wasn’t gruesome enough, Donny “The Bear Jew” Donowitz beats Nazis to death with a baseball bat for the amusement of his fellow Basterds.
9 Black comedy
Tarantino likes to make his audience laugh at things they shouldn’t laugh at, like a karaoke torture scene in reservoir dogs or a man who gets shot by accident pulp Fiction. Inglourious Basterds has plenty of serious moments that aren’t played for laughs, like the tense opening scene, but it also has the writer-director’s darkest humor to date.
Martin Wuttke’s turn as Adolf Hitler is a cartoonish depiction of a real-life genocidal monster. The Jewish Bear makes a baseball joke after beating a German officer to death with his bat. With a big grin on his face, a sadistic Nazi war criminal excitedly shouts, “It’s bingo!”
8 Verbose monologues
From Samuel L. Jackson’s “Way of the Righteous Man” speech to Christopher Walken’s Golden Watch speech to his own “Like a Virgin” analysis, Tarantino likes to fill his scripts with one-page monologues. that its actors can chew on.
There are some classic Tarantino monologues in Inglourious Basterdslike Lieutenant Raine recruiting the Basterds and detailing their mission, or Colonel Landa explaining the difference between rats and squirrels.
7 Sprawling set
Tarantino films rarely have a single main character. His stories tend to revolve around a sprawling set, and Inglourious Basterds is a great example. Brad Pitt is the prominent movie star on the poster, but Lt. Aldo Raine is backed by the rest of the Basterds.
On top of that, Shosanna takes the lead in her own script, Colonel Landa puts a bunch of scenes in the spotlight, and there’s a long detour to a basement bar where Allied spies are undercover with a German starlet.
6 Armed confrontation
Gunfights have been a staple of Tarantino’s cinema from the start. Armed gangsters all turn their guns on each other in the climax of reservoir dogs. This ending is replicated with Pumpkin and Honey Bunny in the restaurant at the end of pulp Fiction.
There is a gunfight between the survivors of the basement shootout and the Basterds waiting upstairs in Inglourious Basterds. As Aldo points out, “You know, fighting in a basement offers a lot of difficulty. First, you’re fighting in a basement.
5 Borrow music from other movies
Tarantino didn’t feature an original score in any of his movies until he did The Hateful Eight. Instead, what he usually does is steal existing movie scores and license them for his own.
Inglourious Basterds uses a number of compositions from classic film scores. Its soundtrack borrows tracks from Ennio Morricone’s score for The big shot (for Bear Jew’s glorious entry) and Charles Bernstein’s score for white lightning (to sell the terror of a car full of Nazis arriving at Shosanna’s cinema). David Bowie’s theme from cat people plays as Shosanna prepares for the premiere (and applies makeup like war paint).
4 Pop culture references
From the debate over the meaning of Madonna’s “Like a Virgin” in reservoir dogs to discuss the differences between American and European McDonald’s in pulp FictionTarantino has filled all of his movies with popular culture references. Inglourious Basterds is no different, despite its historic setting.
Tarantino’s World War II opus contains nods to contemporary pop culture like King Kong and the films of GW Pabst. Thematically, the film examines the role of cinema in the war through the story of a propaganda premiere.
Revenge is one of the defining characteristics of Tarantino’s storytelling. In Kill Bill, the bride takes revenge for being beaten and bloodied by her former colleagues. In Django UnchainedDjango takes revenge for being enslaved and separated from his wife. Inglourious Basterds is also anchored by a great story of revenge.
Shosanna Dreyfus has a personal vendetta against the SS in addition to being a Jewish refugee in Nazi-occupied France. In the iconic opening scene, her loved ones are slaughtered around her as she hides under the floorboards of a dairy farm.
Tarantino has always approached each story more like a novelist than a screenwriter. The first script he divided into chapters was Kill Billbut he repeated this trope in Inglourious Basterds.
Chapter-based storytelling allowed Tarantino to hop all over Nazi-occupied Europe, jumping from one perspective to another. He then reused the chapter structure in The Hateful Eight.
1 Alternate history
With Inglourious Basterds, Tarantino established a new stylistic mark that defined the background of his career. The boldest moment in the film is the historically inaccurate death scene of Adolf Hitler. Hitler does not die in the comfort of a bunker like in real life; he is shot by American Jewish soldiers while a Jewish refugee burns his closet alive around him.
Ever since he killed Hitler, Tarantino’s films have been defined by righting the wrongs of history. His next film revolved around a pre-war era slave taking up arms and slaughtering legions of white slaves. His most recent film saw a TV cowboy, stuntman and pit bull eviscerate the Manson family murderers before they could reach Sharon Tate.
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